Showing posts with label subject: greek mythology. Show all posts
Showing posts with label subject: greek mythology. Show all posts

Wednesday, May 2, 2012

Underworld by Meg Cabot

Title: Underworld
Author: Meg Cabot
Publisher: Point
Release Date: May 8, 2012
Pages: 336 pages (hardcover)
How I Got the Book: ARC from the publisher
Purchase/Pre-order: Amazon; Barnes & Noble; Book Depository

Seventeen-year-old Pierce Oliviera isn't dead. Not this time.

But she's been taken by John Hayden, lord of the Underworld, to the dim, twilight place between heaven and hell, where the spirits of the deceased wait before embarking upon their final journey.

John claims it's for her own safety, to protect her from the Furies who yearn for vengeance against him. But John may have reasons of his own for wanting to keep Pierce close...

And soon she learns that while she might be safe from the wrath of the Furies in the Underworld, the people she loves back on earth are not. Can Pierce convince John to release her in order to save the life of someone in her family--or will the price he asks her to pay for her freedom be too high?

Review:


Going into Underworld, the second book of Cabot's Abandon trilogy, I had my fingers crossed so tightly that it hurt. Would I like it more than Abandon, which underwhelmed me? Would it be just as disappointing or even worse? I was prepared for the best and the worst and I ended up feeling as similarly satisfied yet slightly disappointed with the second book as I felt with the first.

I did see improvement on some of the points I disliked Abandon for. The repetition of evil tassels and the phrase "check yourself before you wreck yourself" disappeared. Pierce's cousin Alex emerged as a dark horse sort of character I didn't expect to love but did anyway. He was flat-out wrong, but the complexity he demonstrated when Pierce confronted him invested me more in his character with that one scene than two books have invested me in Pierce's struggles. A more present plot gave Underworld a greater direction and purpose than I remember from the first book.

My past experience with Cabot's Mediator series, an enduring favorite of mine, has shown me that she knows how to write a fun heroine with a solid head on her shoulders. That may be why I find Pierce more disappointing as a main character. She is generally more introverted and I like it, but she tends to be a blind dreamer too, acting without thinking and ignoring what is plainly there.

Pierce's personality type kept Cabot's usual humor out of Abandon, but I saw more of it shining through this time. I haven't been able to check it against the final copy of the book, but this quote was so winning that I couldn't resist sharing it:

"Oh, no." My heart filling with dread, I took the paper from Mr. Smith's hands. "Couldn't they have found a better picture of me?"

Mr. Smith looked at me sharply. "Miss Oliviera," he said, his gray eyebrows lowered. "I realize it's all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can't be all you have to say about this."

Unfortunately, each one of those great moments in writing seems to be followed by at least two descriptions that come with cringeworthy mental images. As much as Pierce loved it, a man's muscles pumping up to the size of grapefruits as he rips apart chains with his bare hands doesn't seem attractive to me.

Pierce and John's relationship troubles me--no, disturbs me. It's a more powerful and accurate word choice. I see exactly one quality in him she could plausibly like: how he took her suggestions for the Underworld and put a few of them in practice. That is something I thought was fantastic. Otherwise, I don't see why she loves him so much and forgives his behavior (lying, clearly evident violence streak, secret-keeping) so easily. In a step above some more problematic YA novels, John often admits that what he does is wrong and Pierce recognizes it as wrong. Her forgiving almost all of it or pretending an issue is a non-issue takes it back down that step, but I suppose it's progress. Better one forward and one back than two steps back.

My newfound fondness for Alex and genuine curiosity is sure to bring me and other readers back for Awaken, the final book of the trilogy. Readers who fell in love with Abandon will surely love this installment too, but figuring out whether or not critics of the first book will enjoy Underworld is a little more difficult. Of the multiple Hades/Persephone retellings in bookstores at the moment, this is definitely my preferred series.

3 stars!


What am I reading next?: Ditched by Robin Mellom

Thursday, March 29, 2012

A Beautiful Evil by Kelly Keaton

Title: A Beautiful Evil
Author: Kelly Keaton
Publisher: Simon & Schuster/Simon Pulse
Release Date: February 21, 2012
Pages: 287 pages (hardcover)
How I Got the Book: Bought it.
Purchase: Amazon; Barnes and Noble; Book Depository

When Ari first arrived in the dilapidated city of New 2, all she wanted was to figure out who she was. But what she discovered was beyond her worst nightmare. ari is a descendant of Medusa and can already sense the evil growing inside her--a power that the goddess Athena will stop at nothing to possess.

Desperate to hold on to her humanity and protect her loved ones, Ari must fight back. But Athena's playing mind games, not just with Ari but with those Ari cares about most. And Athena has a very special plan for the brooding and sexy Sebastian.

Ari is determined to defeat Athena, but time is running out. With no other options, Ari must unleash the very thing she's afraid of: herself.

Review:


My disappointment with A Beautiful Evil and most of the twists it brings to the story hardly surprises me, but it stings nonetheless, especially because reviewing this book would be as easy as copying and pasting my entire review from Darkness Becomes Her here. Sequels are supposed to offer some variety and improvements, not be more of the same in both the good and bad ways.

There are authors both professional and aspiring out there who would kill to have as fantastic of an idea in their heads and/or as well-drawn of a heroine as Keaton has with the world of her Gods and Monster series and Ari. I wouldn't necessarily kill for them, but I would certainly do many reprehensible things to have something with the same massive potential. Seeing it get wasted by way of uninspired and repetitive writing, one-dimensional characters, and lightning-fast pacing that moves far too fast is frustrating.

Thankfully, Ari is not and has never been one-dimensional. Her struggles with finding out who she was in the last book and her fight to accept the gorgon monster within her in this book were fantastic. Every other character in the series is a different story. Sebastian is only the love interest meant to give her the requisite YA snogging and get threatened so Ari will fight; Violet is one of the most adorable creepy children I've ever seen, but we still know nothing about her. The adults, the other orphans--nada. I love having a great main character and all, but it shouldn't be hard to extend that careful characterization to at least one other character.

Well, maybe one other character has depth: Athena. It's not outright confirmed, but one possible motive for why she went mad, murdered Zeus, and took over is discovered. She remains the madwoman she was in Darkness Becomes Her and demonstrates a little bit deeper of a madness with the torture at her banquets (though some of it borders narmy with how over-the-top it is). Her portrayal is honestly one of the best I've seen out of all the Greek mythology-related books I've read because it sticks to her personality and I can see her going mad after so much time.

I complain so much about novels that lag too much or need better pacing, but A Beautiful Evil is one book that needs to slow down. That the book goes from one place to another without slowing down for a minute contributes to the one-dimensional-characters problem mentioned above; how can they be fleshed out if the book won't make time for them? The same uninspired writing and repetitive descriptions that marred the last book appear again and I would happily see them out if only they would leave.

The ending is what really got me. Ari does not one but two fairly horrible things to Sebastian while Athena has them imprisoned and there appears to be no conflict between them over what she did. Really? No anger, no resentment, no nothing? She messes up his life twice and he has absolutely no problem with anything she did? Sebastian has never been anything but a one-dimensional love interest, but he had a chance to get some depth and it gets taken away just like that. I could have pulled out all my hair.

Unless the blurb for the third book of the series is so absolutely drool-worthy that I feel like I just have to read it, I doubt I will be sticking around to finish off the series. At least reading the two books of the series did something good for me: it inspired me to get writing and make my manuscripts as fantastic as possible so they don't end up ruining a great premise like this series did.

2 stars!


What am I reading next?: Spell Bound by Rachel Hawkins

Wednesday, March 28, 2012

Darkness Becomes Her by Kelly Keaton

Title: Darkness Becomes Her
Author: Kelly Keaton
Publisher: Simon & Schuster/Simon Pulse
Release Date: Febuary 11, 2011
Pages: 273 pages (paperback)
How I Got the Book: Bought it.
Purchase: Amazon; Barnes and Noble; Book Depository

Ari can't help feeling lost and alone. With teal eyes and freakish silver hair that can't be changed or destroyed, Ari has always stood out. And after growing up in foster care, she longs for some understanding of where she came from and who she is.

Her search for answers uncovers just one message from her long dead mother: Run. Ari can sense that someone, or something, is getting closer than they should. But it's impossible to protect herself when she doesn't know what she's running from or why she is being pursued.

She knows only one thing: she must return to her birthplace of New 2, the lush rebuilt city of New Orleans. Upon arriving, she discovers that New 2 is very...different. Here, Ari is seemingly normal. But every creature she encounters, no matter how deadly or horrifying, is afraid of her.

Ari won't stop until she knows why. But some truths are too haunting, too terrifying, to ever be revealed.


Review:


If Darkness Becomes Her had been written by a more patient author, it would have been fantastic. Unfortunately, it was not, and a strong foundation turned out to be a barely-standing framework of what could have been.

Keaton's world of supernatural creatures in a post-hurricane New Orleans now known as New 2, a cursed girl searching for her heritage, and one very angry and very real Greek goddess is fantastic. She may not be present for most of the novel, but Athena's presence becomes powerful by the halfway point of the novel and she quickly became my favorite character. What could thousands of years of being largely ignored do to a Greek god (beings that are pretty much egomaniacal human beings with superpowers and immortality)? A lot, and it shows in how Athena is portrayed. I love it!

Ari herself is no poor heroine--she has her genuine struggles with her identity--but she paled in comparison once Athena came along. Where the novel really fails and brings itself down is in how rushed it is. Ari falls in with her housemates and falls in love with Sebastian in less than a day. The excuse of them recognizing "kindred spirits" in one another does not work for me. I needed to see Ari demonstrate how difficult it was for her to share herself with other people and slowly open up. The novel would have been a good deal longer, but it would have improved by leaps and bounds.

(Maybe it's just me, but I don't find his drum-playing sexy. Try living with someone who plays drums for hours on end like I do and you may find yourself half-ready to take the drumsticks and stab them through all the drums. I can't even hear myself think half the time. Lack of thinking time = not sexy. Okay, timeout over.)

Yet for being so rushed, Ari's family curse is unraveled far too slowly. Her mother complained of snakes trying to burst out of her head while she was in the asylum--who or what could that be? A gorgon, perhaps? It seemed the reader was supposed to know from the very first chapter, but why keep Ari in the dark until the very end of the book? It made for a frustrating reading experience. Poor writing with constant repetition of uninspired writing shortcuts (adrenaline snaking through veins when excited, goose bumps popping up in fear) grated on me as well.

I already own the sequel A Beautiful Evil because I faith-bought both books at the same time, so I will be reading that within the next week or two. Darkness Becomes Her left me both excited for where the idea can go and frustrated that it wasn't done near as well as it could have been if only more time had been taken with it.

3 stars! (More like 2.5)


What am I reading next?: A Beautiful Evil by Kelly Keaton

Sunday, June 19, 2011

Fury by Elizabeth Miles

This review contains spoilers for the entirety of Fury. If you don't want to ruin the book for yourself, skip this review.

Title: Fury
Author: Elizabeth Miles
Publisher: Simon & Schuster/Simon Pulse
Release Date: August 30, 2011
Pages: 352 pages (hardback)
How I Got the Book: Simon & Schuster Galley Grab

The first book in a paranormal teen trilogy featuring three beautiful, mysterious girls wreaking havoc on a small New England town.

Sometimes sorry isn't enough....

It’s winter break in Ascension, Maine. The snow is falling and everything looks pristine and peaceful. But not all is as it seems...

Between cozy traditions and parties with her friends, Emily loves the holidays. And this year’s even better--the guy she’s been into for months is finally noticing her. But Em knows if she starts things with him, there’s no turning back. Because his girlfriend is Em’s best friend.

On the other side of town, Chase is having problems of his own. The stress of his home life is starting to take its toll, and his social life is unraveling. But that’s nothing compared to what’s really haunting him. Chase has done something cruel...something the perfect guy he pretends to be would never do. And it’s only a matter of time before he’s exposed.

In Ascension, mistakes can be deadly. And three girls—three beautiful, mysterious girls—are here to choose who will pay.

Em and Chase have been chosen.

Review:

It's winter in Ascension, Maine and a girl named Sasha has just attempted to kill herself. Right after this is when strange things start happening to Emily and Chase. Emily is lusting after her best friend's boyfriend and shortly after they start having an affair, three strange girls keep showing up. Chase is the star quarterback of the football team and had a connection with Sasha he doesn't want to talk or think about. Then he meets a beautiful redheaded girl named Ty and he can't stop thinking about her. Red orchids mark them as targets and they will be punished for their crimes.

Oh, Fury... Where do I begin? By saying you made me furious? No, too much of a pun. How about we get right to it and talk about why I didn't think you were a good book at all.

Chase, the male protagonist, was a jerk. If that had been a character trait he outgrew as he developed, grew up, and took responsibility for his own actions, that would have been fine. It wasn't, and he never did any of that. Ty comes along and acts very suspiciously, later doing things that humiliate him. He just forgives and forgets it all. When he admits he's never felt so strongly about someone before after just one meeting, why doesn't it occur to him to stop and think about how abnormal this is and think about the blatantly suspicious things Ty does? I played with the thought of some glamour or spell that kept him from thinking clearly, but there was no evidence of one existing and no one else was affected.

Our female protagonist Emily is no better. She is so naive that it could kill someone. Zach's intentions with her were obvious from what he said and did, but Emily is so sure he'll break up with Gabby for her. According to Emily, Gabby will totally forgive her for going behind her back with her boyfriend and won't be mad at all, and they'll still be best friends. Apologizing to the girl who tried to kill herself will make the Furies leave and make everything perfect again, also according to Emily. Even when all of this is proven wrong, Emily never sheds her infuriating naivete. I don't feel Emily ever really took responsibility for what she did and doing that much would have made me like her character much more.

Was the reader supposed to know from the beginning that Ty, Meg, and Ali were Furies? Between the title, their actions upon introduction, and how they're written, it's too obvious. It just has to be intentional. If it's not and the reveal at the very end of the book is supposed to be a Big Reveal, someone has seriously failed. It's still a serious fail even it if was supposed to be obvious. Anyone that reads this and figures it out early will have to endure "Who are they? How are they able to do that?" from the main characters for almost the entire book, and enduring a character's cluelessness when you figured it out a long time ago makes for a frustrating reading experience.

Not only do I want to know why the Greek Furies are in Maine, but I also want to know why they're wasting their time on Emily and Chase. Emily made out with her best friend's boyfriend and Chase humiliated a girl, which doubtlessly factored into her suicide attempt. Their actions weren't okay, but don't the Furies have better targets to go after than these kids? There are millions of murderers and animal abusers out there, but the Furies feel these kids committed crimes more worth their time than murder and animal abuse?

Slut shaming is not okay, okay? It was not at all okay for Emily to be called a slut for kissing Zach. I hate seeing slut thrown around so easily. Homophobia is also not okay. Calling Chase a faggot after his poetry (really Emily's, but everyone thinks it's Chase's) and naked pictures of him and are posted around the school is about fifty kinds of wrong and makes me want to scream. Not all guys that write poetry are gay, thinking about how your actions make other people feel is not gay, and it's not a bad thing to be gay. This book could use a lesson in that.

Besides entertainment value, Fury also lacks logic. A girl becomes a social pariah in part because she let two boys kiss her at the same party? I call bull. What does Chase decide is a good idea the day a photo of him begging on his knees is spread around school, making it look like he's begging for money when he's really begging for Ty to get off a bridge ledge before she falls in a river? Letting Ty take pictures of him completely naked, and those eventually end up posted around school too. Then Emily refuses to tell JD that she thinks she's being followed because she's afraid he'll think he's crazy. What people think of your mental capacity stops being important when you think you're being stalked.

Here are some questions for you: If Zach cheated on Gabby multiple times before cheating on her with Emily, and if Emily is targeted by the Furies immediately after making out with Zach for betraying her best friend, why wasn't Zach targeted at the same time for cheating on his girlfriend? Why didn't the Furies target him back when he first cheated on Gabby or any of the many times after that? And why is Zach not targeted by the Furies until the final two pages of the book? Now add in that Gabby blames Emily for what happened and not Zach, and Gabby gives Zach no trouble until she catches him cheating on her herself. All of this stinks of something disgusting.

On the bright side, the writing wasn't atrocious; it was easy to read and unless I skipped over them, I didn't find anything that gave me reason to nitpick over grammar, sentence structure, metaphors, similes, and other such details. It could have been much better, but it could have been much worse too. Then there was a moment where I cheered because JD called Emily out for being a naive, spoiled little girl in regards to the situation with Zach and Gabby. That was probably motivated out of jealousy more than anything and it only happened once, but I was happy to see that it happened at all.

Overall, I don't feel like Fury was worth the time I spent reading it. Reading isn't supposed to give me a headache born out of anger and frustration like this, is it? I was supposed to be entertained, and entertainment never happened. If any of what I've discussed is something you don't want to read about in books, then Fury is not the book for you.

1 star!



What am I reading next?: Unearthly by Cynthia Hand--the first book of the H.Y.P.E. Project!

Tuesday, May 10, 2011

Abandon by Meg Cabot

Title: Abandon
Author: Meg Cabot
Publisher: Scholastic Inc./Point
Release Date: April 26th, 2011
Pages: 320 pages (hardback)
How I Got the Book: Amazon Vine

Though she tries returning to the life she knew before the accident, Pierce can't help but feel at once a part of this world, and apart from it. Yet she's never alone... because someone is always watching her. Escape form the realm of the dead is impossible when someone there wants you back.

But now she's moved to a new own. Maybe at her new school, she can start fresh. Maybe she can stop feeling so afraid.

Only she can't. Because even here, he finds her. That's how desperately he wants her back. She knows he's no guardian angel, and his world isn't exactly heaven, yet she can't stay away... especially since he always appears when she least expects it, but exactly when she needs him most.

But if she lets herself fall any further, she may just find herself back in the one place she most fears: the Underworld.

Review:

Pierce Oliviera drowned when she was fifteen and she hasn't been the same since. When she moved to Isla Huesos, Florida with her mother after her parents' divorce, she hopes to start over and forget about everything that happened in the wake of her temporary death. Too bad John isn't going to let that happen. She doesn't know quite who he is, but she knows that he's not human. Whatever he is, she will have to be cautious of him. If she's not, he may just take her back to the Underworld and keep her there.

Cabot has a rare gift: the ability to keep the reader glued to her books through her writing. She knows just when to stop the chapters so that you've got to turn the page and find out WHAT THE HELL'S GOING ON and every now and then, she'll throw hints out there to make the reader keep going so they'll find out what's going on. Even in the numerous moments where I was irritated with Abandon because thoughts weren't expanded on or flashbacks kept interrupting scenes, I didn't want to stop reading. The plot went like "zzzzzzzzzzzzzzzzzzzzzzzOMGCLIMACTICSCENEover" for me as it unfolded over three days, but that never bothered me once. Who needs plot or character-driven stories when your style is enough to keep people reading?

Another gift of Cabot's is to write spirited, witty heroines you can't help but cheer for even when they get irritating. This time around, she tried for a more introverted heroine in Pierce. In heroines, I ask for them to be two simple things: flawed and interesting, in that they make me want to learn more about them. Pierce isn't short of her flaws (she's rather slow, selfish and selfless all at once, a little bit of a pushover, doesn't think before acting) and I like that she's not perfect, but she missed the boat on being interesting. She's the same plain heroine I've gotten used to seeing in young adult paranormals. Considering the author and what I know she can do, this makes me sad. I was never sold on John either, or the romance between the two; his mood swings and any lack of romantic development between the two kept me undecided.

Despite being a young adult paranormal and therefore entitled to be a little unbelievable, I had no trouble believing this could be real and happening in our world because of how the very minor characters act and the detailed setting. The nasty things humans will do to one another, like blame the victim of a crime for something that wasn't their fault and persecute each other for being in a program like New Pathways or being the child of someone who was in jail, are all too real. Not that I want to read about people blaming victims or persecuting each other because I think that's wrong and should be changed in real life, but it was exactly what many people would do and I respect that the decision was made to have the people be nasty instead of nice. If they'd been nice, I would have felt something was up and my suspension of disbelief would be broken just like that.

I'm  sad it looks like the sequel will take place largely in the Underworld because considering all the little hints of things to come in Isla Huesos, I would prefer to read about that. What does Alex have planned? (Probably nothing good.) What about our minor characters like Alex and Uncle Chris and the mom, the people who showed some signs of three-dimensional potential? I want to read about them, not Pierce being trapped in the Underworld and most likely romanced by John! My hopes are the romance gets some emergency life injected into it, Pierce stops thinking "I have to help him" because no you don't, and there is more of Pierce's family.

AND IF I SEE THE PHRASE "CHECK YOURSELF BEFORE YOU WRECK YOURSELF" ONE MORE TIME, I AM GOING TO SCREAM BLOODY MURDER.
While it's good to know that Cabot hasn't lost her gift for writing stories that captivate me and keep me reading whenever I have spare time, but the experiment of writing a heroine who is not spunky and witty and such didn't work out very well. I will take serious good word to make me pick up the second volume Underworld. And I mean trusted-reviewer-friends-give-glowing-reviews kind of good. If I may be so excused, I must read a little bit out of the Mediator books on my shelf to make myself feel better. I would prefer Suze over Pierce any day and if you've read the Mediator books, this really says something about Pierce.

3 stars!


What am I reading next?: Beauty Queens by Libba Bray

Saturday, March 19, 2011

The Goddess Test by Aimee Carter

Spoilers for the entirety of The Goddess Test are within. Beware! No, seriously. I spoil the entire novel and then some. If you want to keep things a mystery, move on!
Title: The Goddess Test
Author: Aimee Carter
Publisher: Harlequin Teen
Pages: 297 pages (Adobe Digital Editions document)
How I Got the Book: I recieved a free copy from Harlequin Teen through NetGalley and I thank them for providing it to me.

EVERY GIRL who has taken the test has DIED.

Now it's KATE'S TURN.

It’s always been just Kate and her mom—and her mother is dying. Her last wish? To move back to her childhood home. So Kate’s going to start at a new school with no friends, no other family and the fear her mother won’t live past the fall.

Then she meets Henry. Dark. Tortured. And mesmerizing. He claims to be Hades, god of the Underworld—and if she accepts his bargain, he’ll keep her mother alive while Kate tries to pass seven tests.

Kate is sure he’s crazy—until she sees him bring a girl back from the dead. Now saving her mother seems crazily possible. If she succeeds, she’ll become Henry’s future bride, and a goddess.

If she fails...

Review:

As her mother dies of cancer, eighteen-year-old Kate Winters takes her to Eden, Michigan so her mother can die in peace in her quiet hometown. Kate's plans are to stay until her mother dies and then return to new York City, but it doesn't work out this way. She meets Henry, who calls himself a Greek god, and will keep Kate's mother alive a little longer, along with bringing a dead girl back to life. In exchange, Kate will spend every fall and winter for the rest of her life with him and undertake seven tests. If she passes the tests, Kate will become a goddess and Henry's wide. If she fails, it's probably because someone murdered her.

Since there's only one or two good points to this novel, I may as well get them out of the way. At first, I kind of liked Kate. Despite being whiny at first about being in a small town and some guys maybe-liking her, she sucks it all up when she gets stuck in a tough situation. I admired that. She did something not many people would do: risked her life and have away half of the rest of her life because she cared so much about her friends and family. The emotion Kate felt when dealing with her mother's impending death felt real instead of over-exaggerated. She also cared enough about having her choice that someone died because of her determination to have a choice. By the end of the novel, I not longer liked Kate at all. More on that later.

There were two points in this novel that could have been expanded into something more interesting: Kate's feelings for Henry and one other point I can't even remember because this book lacked so little originality. Having Kate be in love with Henry when he didn't return her feelings would have been awesome because that's CONFLICT, and it's also a conflict few young adult authors are willing to touch. She would have been forced to deal with it and that's something that keeps people reading. Nope, just shortly after Kate's realization, Henry reveals he's in love with her too. Point that could have taken this book from "just another YA paranormal" to "that book where the heroine's love stays unrequited" is null and void. Ugh.

Wait, I take back what I said about the book lacking originality. It does have some originality in there: It is original in how badly it slaughters Greek mythology.

You see, when you write Greek mythology, it should resemble Greek mythology when done well. That means that the gods lack morals, do what they want, screw around, and do stuff that is inappropriate for young children to read about.. If you don't, the biggest Greek mythology fans will make you rewrite the book by hand and use your blood as the ink in your pen. The people who are supposedly Greek gods in this novel act nothing like the gods people know from the myths. If you have to put a table at the end of the book that tells you which character was which god or goddess, YOU'RE DOING IT WRONG. You're also calling your reader an idiot who can't figure out who's who. Maybe you should try showing the reader within the confines of the story which person is which god/goddess.

Another thing you shouldn't do is mix mythologies. Greek and Christian mythology have nothing to do with each other. Heck, the stuff in just one Greek myth would violate at least fifty Christian principles. The Greek gods are not going to base their tests off the seven sins of Christianity. They have no morals, so why would they use tests of morality to decide whether or not a girl became a goddess? This makes no sense. Some may also find disturbing undertones when realizing that the men did great quests or physical and mental feats to earn immortality and for girls, it's apparently a test of their morality.

Oh, another bit of nonsense! We all know who Hera is, right? Goddess of marriage? Wife of Zeus who did not take adultery lightly? Yeah, she's in love with Hades here and kills all the girls who have even the slightest chance of becoming his new wife. It makes no sense at all for Hera to be the villain because according to who she is, she is the last one that would commit adultery or break the vows of marriage. She was never in love with Hades and screwing around with the myths for the sake of the plot will not win over any fans of Greek mythos. Then again, considering that these gods and goddesses are nothing like the "real" gods and goddesses...

No one in this novel gets any depth whatsoever. Henry, James, Ava, Kate, everyone else--they're pretty much caricatures. They get touches at certain moments, but it's all for nothing. The plot plods along, the functional writing keeps up with that slow pace, and the chapters always end with cliffhangers that are closer to frustrating than enticing. If you're observant, you'll see twists and the big shocker ending coming from a mile away. I started seeing hints of it halfway through when all these people Kate knew in Eden start showing up in Henry's home as people who will help Kate pass her seven tests. The prologue has to be one of the most blatant hints in the novel.

And the ending. Oh God, the ending. The reader will either love it or hate the crap out of it. In the circles I run in, most hate it, including me. The implications that Kate was born just so she could be raised and "given the opportunities" to become Henry's wife are very uncomfortable. Kate's reaction wasn't anything close to in-character. This girl, who cared so much about having a choice that it killed Ava a second time, suddenly finds out that it was more like she had an illusion of choice instead of an actual one. And she's okay with this? (Just a side note, but Demeter hated Hades. She would never do what she did for him in this book.) Yeah, that's not the Kate I knew.

 This could have easily gotten a worse rating. The few good parts were pretty good and the bad parts were bad a on a level I wasn't sure existed. This is just another title in the young adult fantasy crowd, one girls will pick up and fall in love with despite all of its inaccuracies and uncomfortable implications. Anything that could have made this novel something new was killed off before it could even sprout. I thought about picking up its sequel Goddess Interrupted in 2012, but I'm not sure I want to now. That would be a waste of my money.

2 stars!


Friday, October 15, 2010

The Lightning Thief by Rick Riordan


Title: The Lightning Thief
Author: Rick Riordan
Publisher: Disney Hyperion
Release Date:
Pages: 373 pages (paperback)
Percy Jackson is about to be kicked out of boarding school... again. And that's the least of his troubles. Lately, mythological creatures and the gods of Mount Olympus seem to be walking straight out of the pages of Percy's Greek mythology textbook and into his life. And worse, he's angered a few of them. Zeus's master lightning bolt has been stolen, and Percy is the main suspect.

Now Percy and his friends have just ten days to find and return Zeus's stolen property and bring peace to a warring Mount Olympus. But to succeed on his quest, Percy will have to do more than catch the true thief: he must come to terms with the father who abandoned him; solve the riddle of the Oracle, which warns him of betrayal by a friend; and unravel a treachery more powerful than the gods themselves.

Review:

Percy Jackson is your average twelve-year-old troublemaker. Going between different schools with ADHD and dyslexia, he suddenly discovers while on a field trip that one of his teachers is a demon-thing when she tries to kill him. A few chapters after that, he's spirited away to Camp Half-Blood, a training facility for children like him: demi-gods, half-bloods, children of a Greek god/goddess and a mortal parent. Percy is the son of one of the Big Three (Zeus, Poseidon, and Hades), which is a bad thing because those three have been barred from having children again after World War II. Zeus's lightning bolt, his great weapon, has been stolen and poor Percy is the main suspect. Thinking that Hades must have it, Percy, his satyr friend Grover, and Athena-born fellow half-blood Annabeth set off on a cross-country journey to reach Hades and get Zeus's bolt back before the summer solstice.

There are few narrative voices in fiction that have entertained me as much as Percy's. He tells the story almost faithfully and his little quips, combined with the funny imagery as events unfold, made the telling of the tale truly entertaining. Riordan obviously put a lot of hard work into The Lightning Thief. The powers of the half-bloods and their weaknesses (like the ADHD and dyslexia) are well-explained and make sense in the context of this novel and there were no glaring errors in his personal mythology that I saw. I was a little miffed that Nemesis, the goddess of revenge and divine retribution and also my favorite Greek mythological figure, was gender-bendered into a man because she is female, but that was only problem I had with that. Otherwise, it was all good.

This novel took many of my expectations and smashed them into dust. I have certain images in mind when I think of the Greek gods and goddesses and their appearances in this book- along with some of their personalities- both contradict those images. Like Poseidon's image, for a good example. The way he's described beforehand and just the thought of the Big Three god himself, one would expect him to look a lot more regal than he does when we finally meet him. His chosen appearance in garb you would expect to see a stereotypical Florida guy wearing is jarring in a fun way that will probably make you smile. Other examples include Charon in an Italian suit and Ares in lots of leather and biker gear.

I was interested in the story and kept reading without getting bored, but I just wasn't emotionally involved. I cared about how the story worked out and loved Percy's narration of his journey, but none of the characters mattered to me that much. If someone like Annabeth or Grover had died, I would have gone, "Huh. That sucks." I have this problem sometimes, but I know I'm capable of being emotionally involved in a book. I just need the right author who can make me feel.

While reading this, I was reminded of the Harry Potter series a few too many times to be comfortable. I did not come into this book expecting or wanting it to be like Harry Potter (because while I think those books are fun and all, I'm not obsessive about them and don't seek out books while hoping that they're just like that.) I don't quite feel like going into the similarities I found, but they were there and you'll notice them pretty easily.

*Spoiler warning!*

At the end, I was a little puzzled because of Percy's mom. I understand why she was with Smelly Gabe: to protect Percy and hide her son's scent in Gabe's awful, overly human scent. Just a passing curiosity, but how did she know he smelled so spectacularly human? Did Poseidon point her to him? Once we reach the final pages of the novel, we discover that Gabe has abused her and Percy leaves her Medusa's head, which she uses to turn him to stone. So she's not brave enough to tell Gabe that she's moving out and wants a divorce once she comes back from being held hostage, but she has enough bravery to murder him? Because that is what she did. When she turned him to stone, he died and won't be coming back. The message of "abusive people get what they deserve" comes through loud and clear, but yeah... That whole thing bothered me a little.

*Spoilers over!*

(I saw the movie back in February when it came out, so my horrible affliction came into play while reading: I'm seeing the characters as the book makes me envision them through their descriptions, but I'm hearing the voices of the actors. That means that while I'm seeing twelve-year-olds kicking monster butt, I'm hearing eighteen-year-olds once they start speaking.)

While it was an entertaining read, I was unable to bring myself to care about the characters and certain parts of the story made me stare in a manner any bystander would have interpreted to mean, "You're kidding, right?" I didn't mention any of those certain parts because this is a children's book, after all, so it gets a little bit of leeway. It has the right to get a little sillier than I'm used to. I'm not feeling too inclined to read the sequels, but if I find them one day and really need something to read, I might pick them up.

4 stars!