My Best and Worst of 2011 and Most Coveted of 2012

Yep, those good old year-end posts where book bloggers get all nostalgic about the books they read and loved during the year. Me? I also get nostalgic about what I don't like because bad books and good books are equally important to me. First, here are my top five favorite books read in 2011 in reverse order (links go to my review of the book):

5. Nevermore by Kelly Creagh
4. Five Flavors of Dumb by Antony John
3. Shine by Lauren Myracle
2. Entwined by Heather Dixon
1. Imaginary Girls by Nova Ren Suma

And now we get to my five least favorite reads of 2011 in reverse order (links go to my review of the book):

5. Halo and Hades by Alexandra Adornetto (They tied.)
4. Starcrossed by Josephine Angelini
3. Flecks of Gold by Alicia Buck
2. Born at Midnight by C.C. Hunter
1. Watched by Sharde Richardson

Honestly, I think the Halo/Hades duo is the worst of all of them despite it not being number one, but I expected those to be bad. In my twisted little mind, books I expected to be good but were bad are much worse than books I knew would be terrible.

Part three of my post: My most coveted novels of 2012! There are so many beautiful, interesting books lined up for 2012 and these ten (in no particular order) are the novels I'm looking forward to the most. Links go to the Goodreads page:

1. For Darkness Shows the Stars by Diana Peterfreund
2. Body and Soul by Stacey Kade
3. Enshadowed by Kelly Creagh
4. Bitterblue by Kristin Cashore
5. Masque of the Red Death by Bethany Griffin
6. Spell Bound by Rachel Hawkins
7. Immortal Hearts by Ellen Schreiber
8. Hallowed by Cynthia Hand
9. When the Sea is Rising Red by Cat Hellisen
10. Scarlet by A.C. Gaughen

Ah, 2011. A year of shit going down in YA (Katie Crouch's badly-received Slate article, the YA Saves movement, the Bitch Magazine debacle, the YA Mafia, the Wicked Pretty Things anthology pretty much falling apart thanks to its editor, Shine being nominated for the National Book Award and then withdrawn to much outrage, just to name what comes to mind immediately), plenty of good books, just as many bad books, friends made over books, friends lost over books, authors behaving quite naughtily, the loss of some great authors, and a partridge in a pear tree the discovery of great new authors.

I think I'm looking forward to 2012. More good books, more bad books whether or not I know they'll be bad, big changes coming in my life, and so much more. I wish everyone a happy new year and may you read as many great books as you can stand!

Entwined by Heather Dixon

Title: Entwined
Author: Heather Dixon
Publisher: HarperCollins/Greenwillow Books
Release Date: March 29, 2011
Pages: 480 pages (hardcover)
How I Got the Book: Bought it thanks to Epic Reads Epic Deals, which reduced the price of this ebook and nine others to 99 cents. It's still going through January 31st, 2012, so check that out while you can if you have an ebook reader. More publishers should do stuff like this. JUST SAYIN'.

Azalea is trapped. Just when she should feel that everything is before her . . . beautiful gowns, dashing suitors, balls filled with dancing . . . it's taken away. All of it.

 

The Keeper understands. He's trapped, too, held for centuries within the walls of the palace. And so he extends an invitation.

 

Every night, Azalea and her eleven sisters may step through the enchanted passage in their room to dance in his silver forest.

 

But there is a cost.

 

The Keeper likes to keep things.

 

Azalea may not realize how tangled she is in his web until it is too late.

Review:

In this retelling of The Twelve Dancing Princesses, Princess Azalea and her eleven sisters are in mourning after the loss of their mother, who died after giving birth to the twelfth princess, Lily. Locked up inside their home and pushed away by their father at a time when they need each other the most, the girls are miserable... until they discover a magic passageway that leads to a land of silver and beauty. The Keeper, the man that is trapped there, extends an invitation to the girls, allowing them to come back every night and dance their troubles away. Such an offer comes at a price and Azalea must find a way to put an end to the Keeper before he hurts her loved ones.

For having such a large cast, you would think it would be easy to start mixing up characters and be unable to remember who is who and who likes what. Wrong! Each and every one of the twelve princesses has their own traits and makes it easier to remember who is who. I certainly never mixed up Jessamine, the princess that rarely speaks, with Ivy, who loves to eat Personally , my favorites were Delphinium and Bramble. Girls with a flair for the dramatic (the right kind, the kind that does not irritate me) are so much fun and yet so hard to find. Well, Bramble is more enthusiastic than dramatic, but it's close enough. I love them both.

The writing flowed so well and more than a few times, it was. It brought to mind the Theatre Illuminata series by Lisa Mantchev, which is the absolute best thing it could do because I love that series to death and beyond. Here's one little snippet that made me giggle:

"Is d-dancing allowed?" Clover stammered.

Azalea bit her lip and turned her head away.

"Oooh!" Delphinium lifted a dainty hand to her forehead, closed her eyes, and fell back onto the wood floor. Thum-thump thump.

She lay on the floor, unmoving.

"Oh, get up, Delphi," said Bramble. "When people really faint, they bang their heads up on the floor. It's very unromantic.

There's the strangest similarity between the Keeper, a pretty creepy man I had fun reading about and whose twist I saw coming but OH WELL, and the lead love interests in many currently popular YA paranormal romance books (none of whom shall be named because we know who they are). If I had to compare how certain YA "heroes" act toward their leading ladies and how the Keeper treats Azalea, I would have to say they're almost alike. The difference? The Keeper is the antagonist, not a love interest. What does that say for the state of some of the love interests in YA right now? Not a lot of good, I'll tell you.

Okay, I admit, that was a very cheap shot. I'm full of them today.

Yes, Entwined had a few issues. It develops slowly and the little bits and pieces that are given out at a time might not be enough to keep all readers invested. Heck, I was loving each and every page and even I had trouble keeping my attention on it sometimes! (Okay, maybe that was because I was watching InuYasha while reading much of the novel.) Anyone looking for an actiony book that moves quickly will be pretty disappointed. I should take a star off for it. Will I? No! I am so in love with this lovely, lovely book that it gets its lost star back. It has inspired me to happily squee and as regular friends and readers of mine might now, I AM NOT SO EASILY INSPIRED TO HAPPILY SQUEE OVER BOOKS (unless kittens are involved).

Bonus, but did you know that this author is awesome? Because she is. I found her blog when I was looking to see if she was busy writing away on any other books at this time (and woe, I do not think she is) and she's so funny! Like the little comic strips that show up and how back in March 2011 when her book first came out, she had a giveaway of her book where you entered by coloring in one of three pictures in any medium you wanted and sending it in. This was one of said pictures:



I will not lie: I laughed. I laughed and said, "Oh, that is so Bramble." Fans of fluffy novels so adorable that you start squealing, "This is so effing cute!" (which I have been doing since before I even finished the book) need not look any further. Here is your next read.

5 stars!

What am I reading next?: Ignite by Kaitlyn Davis

Burn Bright by Marianne de Pierres

Happy holidays, everyone! I hope everything is going well for you. May 2012 bring good tidings and even better books for all of us.

Title: Burn Bright
Author: Marianne de Pierres
Publisher: Random House Australia
Release Date: March 1, 2011
Pages: 316 pages (paperback)

Into a world of wild secrets and deadly pleasures comes a girl whose innocence may be her greatest strength.

In Ixion music and party are our only beliefs. Darkness is our comfort. We have few rules but they are absolute . . .

Retra doesn’t want to go to Ixion, the island of ever-night, ever-youth and never-sleep. Retra is a Seal – sealed minds, sealed community. She doesn’t crave parties and pleasure, experience and freedom.

But her brother Joel left for Ixion two years ago, and Retra is determined to find him. Braving the intense pain of her obedience strip to escape the only home she’s ever known, Retra stows away on the barge that will take her to her brother.

When she can’t find Joel, Retra finds herself drawn deeper into the intoxicating world of Ixion. Come to me, whispers a voice in her head. Who are the Ripers, the mysterious guardians of Ixion? What are the Night Creatures Retra can see in the shadows? And what happens to those who grow too old for Ixion?

Retra will find that Ixion has its pleasures, but its secrets are deadly. Will friendship, and the creation of an eternal bond with a Riper, be enough to save her from the darkness?

Listen well, baby bats. Burn bright, but do not stray from the paths. Remember, when you live in a place of darkness you also live with creatures of the dark.

Review:

After her brother's escape from their strict home to Ixion, the land of never-sleep and ever-night, Retra and her family are assigned a warden and watched 24/7. After so long without her brother, the one person who made her life in the Seal South bearable, she decides to follow him to Ixion and convince him to come with her--not back to their home, but somewhere else. The flashing lights, parties, and people she encounters on Ixion threaten to distract her. Who are the Ripers, and what is the secret behind Ixion that they're trying to keep hidden?

Two days was all it took me to finish Burn Bright after pining after it for close to a year. The mix of a great main character in quiet Retra, just enough details dropped in to keep the reader interested, just enough details left out to keep the reader going, and a dystopian world all its own kept me hooked and up later than I should have been just so I could finish reading. Maybe it helped a little bit to be thrown in and forced to pay attention so I wouldn't miss anything.

Yes, another dystopian. I know, I know, there are a million dystopian novels and series out there right now and while some are good, most aren't worth the paper they're printed on or their large advances. This novel right here is one of the good ones.  I'm not big on the dystopian trend and never have been, so I hope it means something when I say it. Ixion is a world to remember and while a smart reader may pick up the hints and figure out the big secret before it's revealed, it remains shocking nonetheless.

While I did love Burn Bright, it still had its issues. The explanation as to why minor antagonist character Cal was the way she was didn't work for me; I still felt she was a cardboard character that could have been written better. The cycles of Retra asking people something/other characters infodumping on her and someone asking Retra what happened to her/she tells them/the other character is shocked got old quickly. As beautiful as the world of Ixion sounded and as lush as the descriptions were, I had a lot of trouble coming up with a mental visual of Ixion and all its churches and clubs.

This may be the one time I wish I lived in Australia. Though the thought of living there makes me think OH MY GOD GIANT EFFING SPIDERS ARACHNOPHOBIA IN OVERDRIVE or something along those lines, it would mean I could have easier access to a copy of Angel Arias, the second book of this trilogy. If only I had the money to order it right now... Time to start saving, I think.

I really want to see this published around the world so more readers can enjoy it, so everyone who wants to see it brought to their country should:

• Like the Burn Bright and the Publish Burn Bright Worldwide Facebook pages;
• Link your review of the book (if you read it and wrote a review) on the Burn Bright campaign page on Strangemore;
• Sign the petition, also on Strangemore's Burn Bright campaign page.

4 stars!

What am I reading next?: Entwined by Heather Dixon

Watched by Sharde Richardson

Title: Watched
Author: Sharde Richardson
Publisher: Jolt Books
Release Date: May 30, 2011
Pages: 278 pages (paperback)
How I Got the Book: Bought it.

Mikayla doesn't want much: just to rock out to her favorite band, become the next Kwiki Stop video gaming champion, and keep her Q-tip habit under control. What she does want is the sight of the sudden and inexplicable dark auras around everyone to stop. Problem is, those auras are demons and Mikayla is the last trait holder with the power to ban them. Which is a total buzz kill.

To make matters worse, the town folk of Sulphur Springs don't look the same, and her classmates are a little dark in the eyes. There are murders, suicides, reckless skinny-dipping, gratuitous use of Q-tips, and newfound powers that Mikayla must learn to control.

Her past becomes present when a shape-shifter tells her what her true identity is, and how to keep the demons of hell form nipping at her Converse. Through him she'll discover who to trust, who to kiss, and how valuable her abilities are to the right beings. Because the evils of Hell aren't staying down without a fight...

Or without her soul.

Review:

Getting shot on what she thinks is her seventeenth birthday is the last thing Mikayla expects. She's just the average teenage girl--okay, maybe sticking Q-tips up her nose to make herself sneeze and not being able to remember anything from before she was thirteen isn't normal, but she is who she is. After she wakes up in the hospital for the second time in her life, she suddenly finds herself capable of seeing auras. According to Lucas, who says he is the Sentry meant to serve her, these auras are demons and Mikayla has to stop them. It's going to take a lot of skill and a lot of Q-tips.

Oh wow. And when I say that, I really mean oh wow. It's really such a shame Watched turned out like this. I expected the best and I got what is doubtlessly some of the worst I've ever read. It was even getting vaguely intriguing when I stopped reading as some of the worldbuilding kicked in, but I was so disgusted and upset by that point that I refused to keep going.

We will start with Mikayla's attitude toward the suicide of a fellow student, a quiet girl named Sidney Smaw. On Mikayla's birthday, the same day Mikayla is shot by what turns out to be a demon, Sidney hangs herself in her basement, and Mikayla sees a news report about a vigil for Sidney while laying in bad at the hospital. This is what the main character has to say:

"The anchor's voice rose over the soft wailing of the piano in the background. She didn't leave a note. She didn't say goodbye. She died on my birthday. I didn't know why yet, but I was pissed. The camera man panned over the faces again--some crying, others sniffling, most blank. Sidney Smaw, for whatever reason, killed herself. I wanted to scream at the TV. Wanted to toss F-bombs all over the place.

"But not for her.

"I wasn't the type of person who gave two flips about rules, but she broke the big one, you know. Sidney Smaw copped out. And they mourned her. All I could think about was my birthday, my skin burning instead of seventeen candles, the smell, the shooter--my shooter. How nothing mattered except to stop the world from turning, to stop time long enough to escape the bullets, to escape him. To forget. On that day--the day I begged to live--Sidney freaggin' Smaw handed her life over like lunch money.

"So why the hell were they crying for her? (Watched, p. 30)"

Has anyone heard of Phoebe Prince? After months of being bullied, reportedly because of her Irish accent and brief relationships she had with a senior football player and another male, she died by hanging herself in a stairwell leading up to the second story of her apartment on January 14, 2010. Her twelve-year-old sister discovered her body later that day. Phoebe was only fifteen. Six teens at her school were indicted on felony charges including assault with a deadly weapon, statutory rape, violation of civil rights, criminal harassment, disturbance of a school assembly, stalking, and additional delinquency complaints against three defendants, all of them female minors related to what their bullying of Phoebe. In May 2011, all six were sentenced to probation and community service after pleading guilty to lesser charges.

Yes, something terrible happened to Mikayla. This does not give her the right to play the victim when she has no idea what might have been going on in Sidney's life and what led her to that decision. For all Mikayla knows, Sidney was bullied just as badly as poor Phoebe Prince. I have never, never, never seen a book handle such a delicate subject as teen suicide handled so poorly and with such insensitivity. Sure, Mikayla might just be angry, but anger tends to bring out our true feelings on a subject. How can I be sure that isn't the case here?

Later on, it comes to light that some demons get out of the Nether Legion when people commit suicide. The demon that shot Mikayla wouldn't have gotten out when it did if Sidney hadn't killed herself when she did, so the blame for Mikayla being attacked indirectly falls on Sidney. "If she weren't so weak... Her copout let them in--the demons, (Watched, p. 84)" says Mikayla. I need no words. This speaks for itself.

On page 96, Mikayla finally takes the time to reflect on Sidney's suicide. "Maybe she wasn't such a copout after all. Maybe she had a little nudge in the wrong direction from a Somber [a demon specializing in suicide]." Too little too late. That was not enough to placate me because I got the distinct vibe that "they're being copouts" is what she really thought about people who killed themselves, and she would have kept on thinking that about Sidney's death if she didn't learn about demons. When the book is indirectly putting Sidney at fault for what happened to Mikayla, it nearly cancels out any reflections of "wow, that was horrible of me to think that."

Next is large problem number two: the slut shaming. Anyone that knows me and my taste in novels knows I hate it when girls are called sluts, shaming them for daring to be sexual or act in the way the person calling them that name doesn't like. Mikayla? Oh, she loves calling people sluts both indirectly and directly, and this is yet another reason I can't stand her or this novel.

There are two types of girls presented: the Tara Dandeaus, or the girls that have a lot of sex (said character is described as "one of those freaky/my dad was a preacher/I let guys motorboat/have secret F-150 sex kind of girls (Watched, p. 63)," and the Mikaylas, hot commodities because they are virgins are so hungry for because they're "unexplored territory." The boys are all sex-hungry for those lovely virgins they haven't yet explored. A new girl named Bianca comes to school and quickly settles in hanging out with the jocks, and Mikayla calls her a mattress. You know, because so many people are laying (on) her? Clever? Yeah right. Try revolting. Double standards, virgin/whore dichotomy--it's all here.

And the girl who dares to act sexually toward her fiance (called her "betrothed" in the novel, but it's the same thing)? She's a slut too--a slut puppy, as Mikayla calls her. Yeah. So whether or not you're in a relationship with someone, you're sluts for being sexual, ladies. (News flash: WRONG. So many levels of wrong there that I can't wade through it all.)

So the larger problems are out of the way. I had plenty of small problems too.

I was under the impression when I paid for the novel that I would be paying for the final copy of the novel, not an error-riddled first draft. I rarely count typos against a novel because no one's perfect; typos happen and occasionally, one or two will sneak through all the editing stages and make it into the final novel. This time, there were so many errors and they were in such basic areas as possessives that it ultimately distracted me from the novel and made for a worse experience, so I will count it this time. Books like this are why I am the Screaming Nitpicker.

Watched tried so hard to make Mikayla sound like a normal teenager, and some of the phrases she utters have come from teens I know (like noobs and someone's blood being made of win (Mikayla says this exact phrase on page 145)). The problem is that teens that talk like that annoy the living daylights out of me whether the person saying it is fictional or real and I'm not the only one that feels that way. In trying to make Mikayla realistic, she becomes as irritating as the itch within your cast that you can't scratch.

Oh, and this might bother some people, but not me. I'm only taking the time to mention it because I know it turns off many readers. Mikayla is a pottymouth--a really bad one, too. I don't worry about how much characters curse because I still curse more than most of them on a daily basis, but not everyone is like me in that respect. If cursing-heavy characters or novels irritate someone, this will not be their book.

So maybe you understand why I'm angry now and why this novel upset me so much. I might have phrased this a different way, but it was either do this and let all that nasty anger fester inside of me. I'm selfish, so I chose to take my anger out on the book instead of letting my anger run rampant through my system.

In case you're angry too and need to calm down or if you just need something to do, I suggest watching the Let's Play videos by Mangaminx. In case you have no idea what they are, Let's Play videos (LPs) are videos in which people play video games and make commentary while doing so. I don't watch many LPs--in fact, Mangaminx's are the only ones I watch--and she is often hilarious while scaring the pants off herself with horror games. I personally recommend watching her LPs of Amnesia: The Dark Descent. Even when you're just watching it all unfold on video, the game is so atmospheric. You'll be so terrified soon enough that you'll forget about being angry, especially once you get to all the parts featuring Mr. Face.

This one is a big fat DNF. I'm not going to waste my time on a book that makes me angrier with each page. I've had enough of the conflicting arguments of "Why did you finish the book if you didn't like it?" and "Why should your review mean anything when you didn't finish the book?" so anyone who wants to use either one can kindly not comment. You will get no response and your comment will be deleted.

What am I reading next?: Lily of the Nile by Stephanie Dray

Ash by Malinda Lo

Title: Ash
Author: Malinda Lo
Publisher: Hachette Book Group/Little, Brown and Company
Release Date: August 11, 2009
Pages: 264 pages (hardcover)
How I Got the Book: Bought it.

In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away, as they are said to do. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.

The day that Ash meets Kaisa, the King's Huntress, her heart beings to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Though their friendship is as delicate as a new bloom, it reawakens Ash's capacity for live--and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.

Entrancing, empowering, and romantic, Ash is about the connection between life and love, and solitude and death, where transformation can come from even the deepest grief.

Review:

Orphaned before she was even a teenager, Ash is no better than a slave in her stepmother's home, working to pay off the debt Lady Isobel believes she owes for being her father's daughter. Ever since she was a child growing up near the Wood, Ash has believed in fairy tales and stories the philosophers from another kingdom dismiss as nothing but follies. Upon venturing into the wood one night, Ash meets the fairy Sidhean and comes to develop a strange friendship with him that could become more. Her feelings only become more complicated after meeting Kaisa, the King's Huntress. One a fairy prince, one a beautiful huntress, both of them people Ash loves. Who should she choose?

Oh, how badly I needed this book to be good. My last book was a disaster and a half, so I ran to this in hopes it would cheer me up. Not to mention this lucky find in a used bookstore turned out to be signed by the author herself, which made me want the book to be wonderful even more. It didn't turn out as well and I'd hoped it would, but Ash was still a great retelling of the well-known Cinderella story.

Ash, Sidhean, Kaisa, and Ash's stepfamily all have the potential to be great characters, but their depths aren't explored deeply enough. I didn't have any real investment in the characters, and I didn't feel any true connections between the characters either. The romance of Ash and Kaisa was sweet, but I wasn't particularly attached to it or convinced by it.

Often, I wondered where the conflict was. Was the old vs. new theme also supposed to be the conflict of the book? There is no real plot, and Ash is not a strong enough character for the novel to be character-driven. Nevertheless, I kept turning the page in no small part due to the writing.

Ah, the writing. Sometimes, the narrative read as though a storyteller and I were sitting in front of a fire. The storyteller told me the story of Ash as I sat there basking in the fire's warmth, letting Ash's story come to mind and become more vivid with each word. Other times, it felt like nothing more than a story that overdosed on telling instead of showing. Some scenes like the hunt were vivid, but most of them failed to stick with me.

Speaking of the old vs. new theme, that had to be my favorite part of the book. Ash's choice to either cling to her old life (Sidhean) or embrace what was new and present (Kaisa), the conflict of the greenwitches and old ways with the philosophers and their new ways--above all else, this is what stayed with me. It may have been just a small piece of the story, but I still loved it. If you can be open-minded and not have a fit if a fairy tale retelling veers from the well-known tales, try Ash and see how you like it.

And a tip for readers? Always do research on a book you're considering or look at the copyright page at the very beginning of the book. After the small project I did on Goodreads reviews of Ash, I feel this is something everyone should keep in mind.

3 stars!

What am I reading next?: Watched by Sharde Richardson

Crescendo by Becca Fitzpatrick

Title: Crescendo
Author: Becca Fitzpatrick
Publisher: Simon & Schuster/Simon & Schuster Children's Publishing
Release Date: October 19, 2010
Pages: 427 pages (hardcover)
How I Got the Book: Read it on my Kindle

Nora Grey's life is still far from perfect. Surviving an attempt on her life wasn't pleasant, but at least she got a guardian angel out of it: a mysterious, magnetic, gorgeous guardian angel. But, despite his role in her life, Patch has been acting anything but angelic. He's more elusive than ever and even worse, he's started spending time with Nora's arch-enemy, Marcie Millar.

Nora would have hardly noticed Scott Parnell, an old family friend who has moved back to town, if Patch hadn't been acting so distant. Even with Scott's totally infuriating attitude Nora finds herself drawn to him - despite her lingering feeling that he's hiding something.

Haunted by images of her murdered father, and questioning whether her Nephilim bloodline has anything to do with his death, Nora puts herself increasingly in dangerous situations as she desperately searches for answers. But maybe some things are better left buried, because the truth could destroy everything - and everyone - she trusts.

Review:

Oh, Crescendo. I always told myself I wouldn't read it, but I wanted so badly to join in my friends' discussions of the many problematic elements of this series. If they could suffer through it, why couldn't I? (And maybe just a little bit of it was my contrary nature responding to the "Be Nice" BS But only a little.) I couldn't do that without reading all the books currently available, so into Crescendo I dove. I regret this. I regret every minute wasted on it.

This series is discussed enough for its problematic content, but it really gets kicked up a notch in this book. A scene late in the book where people just stand around and laugh at Nora when she's trying to get away from Scott made me want a trash can. It troubles me that the word "no" does not seem to exist in this series, as Nora can only ever come up with excuses not to do something with a guy, which will lead to him trying again later in hopes of there not being an excuse anymore, instead of giving him a flat-out no.

Nora. Oh, Nora. I thought I hated this brainless, immature, slut shaming, unapologetic, overly angsty monster of a human being in the first book, but she's five times worse in Crescendo. She goes full-blown psychotic on everyone. Breaking into people's houses multiple times, considering suicide over Patch not being with her anymore, indirectly and directly calling Marcie a slut more often than she can come up with a coherent thought of her own,... And this is our main character who, if my reading of the text is correct, we are supposed to support despite--no, because of--her actions. She takes a sledgehammer to the lives of everyone she knows while trying to get her happy ending and I don't see why I'm supposed to like her.

Just when I thought Patch couldn't get any worse, he did. The way he jerked Nora back and forth, pushing her away one minute and pulling her back in the next so they could make out, disgusted me and almost made me feel sorry for Nora that she's trapped in such a toxic dynamic with this man. How the reader is expected to view Patch gave me a nasty case of whiplash. In the first book, we're supposed to find his innuendos, controlling behavior, manhandling, and general asshattery romantic and sexy. Now we're supposed to hate him for it? Which one is it? I hated him in both books, but this case of mixed messages reveals exactly what is wrong with Patch's character.

I am not always the most grammatically correct person on the Internet, and I get even less sensible in the real world because verbal communication is difficult for me, but Crescendo often makes less sense than I do in either world. There are numerous sentences that read horribly despite an arguable technical correctness. For example: "She should have learned her lesson at Bo's and stayed home. And so should have I (Crescendo, 28%)." All it takes to fix a problem like this is different phrasing, but the book can't even do that much.

Inconsistent characterization for the sake of conflict is a big pet peeve. In the first book, few people objected to Nora getting close to Patch, especially not Nora's best friend Vee. Now everyone, especially Vee, is against him. One minute, Vee is boy-crazy. The next, she's 100% dedicated to her new beau Rixon. The mom is brought in simply to act as another barrier between Nora and Patch and a slew of minor characters get thrown in just to try and drum up some more conflict when it's never going to happen. Crescendo and conflict are incompatible.

Not that the book would have been good if any of those characters were more consistent. Just as it happened in the first book, the prologue gave everything away. For all the talk of the archangels, they're never actually a threat. We're constantly told the archangels are watching and breathing down Patch's neck, but he and Nora get away with so much that it makes the "threat" the archangels are supposed to pose nonexistent and makes them look like idiots. This is a disservice to the book and slander toward the archangels.

All the evidence I need to prove how unhealthy Patch and Nora's relationship is can be found in this book. Scott and Patch are undeniably the same kind of person: the bad boy who will take a girl and put her through hell. She can recognize that Scott is this kind of person and has no problem saying so, but she refuses to recognize Patch is the same way. I thought she did for one moment, but her eventual forgiveness of Patch renders that null and void. Neither of them can leave the other alone after the breakup and just when Nora feels ready to move on, Patch pulls her right back into his trap. Once again, I almost feel sorry for Nora. Close but no cigar.

The most maddening detail of their endless relationship angst? Neither party is sympathetic. Nora is downright obsessive, contradicting, and psychotic. The main difference between Patch's behavior pre- and post-breakup is that there were less innuendos post-breakup, but we're supposed to hate him for his behavior in this book when readers were supposed to find it sexy in the last book. This controlling douchecanoe of a man jerks Nora back and forth, but she's stealing from other people's homes because of him, and they both treat each other horribly. I wish both of them would die, preferably by being tortured to death by axe murderers.

And in the end, Nora forgives him. All that manhandling and controlling behavior and playing hot-and-cold with her that she hated him for when they were broken up? She forgives him for all of it. Based on my readings of Hush, Hush and Crescendo, I feel Nora only had a problem with his controlling behavior in this book because they were not together. If they had still been dating, she would have been fine with it. That this is supposed to be okay and readers are supposed to find this romantic makes me sick yet again. This book made me fill up my vomit bucket.

But I will admit one thing: This book made me cry... because it was so terrible. I also cried for Marcie. Marcie, who never had a chance as a character. Marcie, who is slut shamed at every turn while the reader is supposed to think Nora is the "good girl" (and as I elaborated earlier, Nora is anything but). Marcie, who is the closest thing to a complex, flawed character this series has but is here mainly for readers to hate by slandering her at every turn. Marcie, who is bullied and degraded more by Nora than she ever bullies Nora in return. She is not a good person, but Marcie is far more likable than Nora. Heck, I think Marcie's worst crime is having no idea what it means to be tactful--kind of like me.

Going on would be no problem because the problems in this book are endless, but twelve paragraphs is enough and I wanted to get started on the long road to healing. I was supposed to read Silence after this to continue what I lovingly dubbed the Speak Up mini-project, but I can't do it. If this one was so bad it made me cry because it was so terrible, how am I supposed to be able to survive Silence and eventually the fourth book? I can't, man. I just can't. I'm signing off and grabbing a better book.

0 stars! (And I would give it negative stars if I rated books that way.)

What am I reading next?: Ash by Malinda Lo

Anna Dressed in Blood by Kendare Blake

Title: Anna Dressed in Blood
Author: Kendare Blake
Publisher: Tor Teen
Release Date: August 30, 2011
Pages: 316 pages (hardback)
How I Got the Book: Bought it.

Just your average boy-meets-girl, girl-kills-people story. . .

Cas Lowood has inherited an unusual vocation: He kills the dead.

So did his father before him, until his gruesome murder by a ghost he sought to kill. Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. Together they follow legends and local lore, trying to keep up with the murderous dead—keeping pesky things like the future and friends at bay.

When they arrive in a new town in search of a ghost the locals call Anna Dressed in Blood, Cas doesn't expect anything outside of the ordinary: move, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, but now stained red and dripping blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.

And she, for whatever reason, spares his life.

Review:

As a hunter of all things dead and the son of a man who did the same work, Cas Lowood has spent much of his life traveling with his family, now reduced to him, his mom, and their cat Tybalt after the murder of Cas's father by a ghost. Their next destination is Thunder Bay, Canada, where a young girl called Anna Dressed in Blood haunts her old home and kills everyone who steps inside, be they an encroaching vagrant or a nosy teenager. When Cas confronts her and she demonstrates her overwhelming power, she miraculously spares his life--multiple times. As Anna's situation becomes clear to him, Cas vows to do what he can to help her.

I'm afraid I'll have to put some blame on my friends here as to why I didn't love Anna Dressed in Blood as much as they did. (No, none of you are allowed to troll me for this. You know who you are.) So many of my friends read the book before I got to it and had it so hyped up that my expectations were immense going into it. I expected it to be hilarious, scary, heart-wrenching, and so much more. It was heart-wrenching at points, but not the other two. It feels terrible to let my silly expectations knock off a star like they're doing, but it doesn't feel right when I try to give it that star back.

Although the book is not scary, Blake writes some genuinely creepy scenes I found myself enjoying immensely. (Except for one close to the end because... well, even saying why I was uncomfortable would be a spoiler of the highest degree.) Cas's narrative voice is smooth and reads well; Cas got on my nerves sometimes, but he was a good narrator, certainly one of the best male narrators I've encountered in YA recently. Of the entire cast of characters, only Cas and Anna won me. Everyone else came off blah to me and the romance didn't connect with me.

The title character, the homicidal Anna Dressed in Blood, is the true star of the book and steals the spotlight from Cas, and she is why the book will remain memorable despite my so-so feelings about it. Her characterization is fantastic and all the work that went into making her such a complex, sympathetic character shows in how well it works. Anna and Anna alone is what has me hooked for the sequel Girl of Nightmares, out in August 2012.

One thing that bothers me about the novel is how little the people care about strange happenings. Three very unusual, very vicious murders and a disappearance happen in about two months in their area, but all that goes into it are a few days of being on the news and one search party? That doesn't quite work for me.

I wish I could have fallen in love with Anna Dressed in Blood (the book, not the character; I love the character), but it just barely won enough of my heart to make me stick around for the next book. Sometimes, I should ignore my friends so situations like this don't happen again.

3 stars!

What am I reading next?: Everneath by Brodi Ashton

H.Y.P.E. Project: Die for Me by Amy Plum

Title: Die for Me
Author: Amy Plum
Publisher: HarperCollins/HarperTeen
Release Date: May 10, 2011
Pages: 341 pages (hardback)
How I Got the Book: Bought it for the H.Y.P.E. Project (details here)

My life had always been blissfully, wonderfully normal. But it only took one moment to change everything.

Suddenly, my sister, Georgia, and I were orphans. We put our lives into storage and moved to Paris to live with my grandparents. And I knew my shattered heart, my shattered life, would never feel normal again. Then I met Vincent.

Mysterious, sexy, and unnervingly charming, Vincent Delacroix appeared out of nowhere and swept me off my feet. Just like that, I was in danger of losing my heart all over again. But I was ready for it to happen.

Of course, nothing is ever that easy. Because Vincent is no normal human. He has a terrifying destiny, one that puts his life at risk every day. He also has enemies... immortal, murderous enemies who are determined to destroy him and all of his kind.

While I'm fighting to piece together the remnants of my life, can I risk putting my heart--as well as my life and my family's--in jeopardy for a chance at love?

Review:

After her parents' deaths in a car crash, Kate lives with her older sister and grandparents in the heart of Paris. The pain is ever-throbbing in her chest and she spends all her time floating around museums and sticking her head into books instead of trying to move on. Vincent dares to accost her when he sees her at a cafe and Kate decides to give  him a chance. Why not? It's not like there is any other guy in the picture. As they grow closer, she discovers his secret: he is a revenant, a being compelled to give their life to save others. But Vincent has enemies in the numa, polar opposite beings compelled to destroy lives, and both Kate's heart and her life could be in danger if she stays with him.

Characters

Unfortunately, the characters let me down. While certain secondaries like Charlotte won me and the cast of Die for Me is a marked improvement over the casts of some of the other novels I've read during the course of the H.Y.P.E. Project, the main characters Kate and Vincent inspired only indifference in me. Disappearing Parent (or grandparent in this case) Syndrome struck again so Kate would have less supervision when falling for Vincent. Their connection was too-much-too-fast for me and I didn't completely understand what they saw in one another.

And just a little thing? I hate the role Jules fills. You know, that flirty friend of the male lead, the one who later becomes a love interest to the heroine. I have seen this irritating, almost-never-done-right character in two books straight and three or four in the past month alone. Authors, quit it. Stop writing this character. I beg you.

Plot/Pacing

The pacing was all over the place and the plot liked to play peek-a-boo. The book starts off with a fight scene under a bridge involving the numa and the revenants, but then it slows down while Kate and Vincent get to know one another. The mystery of finding out what's going on with Vincent drives the reader to the reveal around page 100, but the pace almost comes to a halt for around 150 pages while the plot pokes its head around the corner every now and then to giggle, then tries to pretend it's not there. Then we come to the end and OMG STUFF! Then more over-the-top romance and the book is over. What little plot there is to the novel is solved over the course of it and could function as a stand-alone if needed.

Themes/Conflicts

The strongest point of the novel is Kate's genuine conflict about whether or not she wants to keep seeing Vincent. Her parents are recently dead and she's still torn up inside over it, but she starts falling for Vincent and slowly getting better. Then she finds out his secret and that if she gets into a serious relationship with him, she'll have to endure the pain every time he dies saving someone. Even if he comes back to life, the pain will still be there. This is the one point of the novel I stand up and applaud for. The overdramatic way this is set up as being true love and no one ever considers that this could be just another relationship between two people gets at me, but I digress.

Whether or not you mind that a boy is the reason Kate begins to heal is unique to the reader. I minded it a little bit, but not enough to impact my opinion of the novel. At the very least, she questions whether or not she is being expected to save Vincent. Most heroines don't get that far.

Writing

The descriptions of Paris were lovely and it was great to experience a change in setting to the beautiful City of Lights from the usual small-town America settings of YA paranormals. Otherwise, I found the writing unremarkable. There were no muttered "wow"s or mental markings of good passages from me.

Logic

Refreshingly, Kate made logical decisions most of the time. When she feels Vincent is acting strangely and thinks he could be doing something he shouldn't be, she does the smart thing and runs the hell away. Though I was overall unimpressed by the novel, this is another quality of it I can respect: that Kate has a brain. Kudos for being one of the few fictional Kates I've gotten along with lately. Other than that, all is well in the world of logic--or as well as it can be in a paranormal novel, but that's why suspensions of disbelief exist.

Was it worth the hype?

To sum it up, how much a person will enjoy this book is directly proportional to how much they mind reading a novel derivative of Twilight. I do not make comparisons to that novel easily--you could check and see that this is the first time I have directly compared a novel to Twilight. For me in particular? Twilight and I have a nonaggression pact. I don't care about it and we leave each other alone. This is good for Die for Me because I don't mind the similarities as much, but what creates protection one way creates a problem another way: I couldn't emotionally invest myself in it.

Die for Me both manages to live up to its hype as something different in a sea of the same old trite novels and does not live up to it. For all the tropes it twists around, it still falls into the same cliches and is at its heart a paranormal romance. Readers who buy Die for Me thinking it will be more than that will be sorely disappointed.

Bonus cover section

While I like the final cover of Die for Me due to its bold covers and the swirls (kudos to the illustrator Johanna Basford because they really are lovely), I am more partial to a draft cover I saw back when the novel was first being advertised. At least, I think it was a draft cover. Maybe it's an international cover. This is what I'm talking about:

While I can see why the publisher would change the cover and I think they made a good choice, there's something I like about this old cover. The bold red boat, perhaps? The reflection of the title in the water? I'm a sucker for reflective images on book covers like that.

3 stars!

What am I reading next?: Crescendo by Becca Fitzpatrick (Just don't ask. I'm being an idiot again.)

Hourglass by Myra McEntire

Title: Hourglass
Author: Myra McEntire
Publisher: Egmont USA
Release Date: June 14, 2011
Pages: 400 pages (hardcover)
How I Got the Book: Read it on my Kindle


One hour to rewrite the past . . . 

 For seventeen-year-old Emerson Cole, life is about seeing what isn’t there: swooning Southern Belles; soldiers long forgotten; a haunting jazz trio that vanishes in an instant. Plagued by phantoms since her parents’ death, she just wants the apparitions to stop so she can be normal. She’s tried everything, but the visions keep coming back.

So when her well-meaning brother brings in a consultant from a secretive organization called the Hourglass, Emerson’s willing to try one last cure. But meeting Michael Weaver may not only change her future, it may change her past.

Who is this dark, mysterious, sympathetic guy, barely older than Emerson herself, who seems to believe every crazy word she says? Why does an electric charge seem to run through the room whenever he’s around? And why is he so insistent that he needs her help to prevent a death that never should have happened?

Full of atmosphere, mystery, and romance, Hourglass merges the very best of the paranormal and science-fiction genres in a seductive, remarkable young adult debut.

Review:

This review is dedicated to my dear friend Cillian, who read Born at Midnight in exchange for me reading Hourglass. Sorry about that, Cillian. You got the worse end of the deal there.

This book didn't turn out to be a good fit for me, but I do have some praise to give it. Hourglass was very readable and positively flew by. Truly terrible books feel like they go on forever, but the novel's liberal use of small cliffhangers at the end of every chapter made me hardly notice as I blew through the novel. Sure, I was skimming that last section, but it was still quick. While Emerson is... well, I'll get to that in a minute, the writing itself is easy to read, lending a hand to that great pacing. The idea Kaleb's character is a good one, but the execution will be given some attention later too.

Now for what I didn't like. This section is much lengthier.

Angst angst Michael Michael Michael Michael more angst about parents Michael Michael Michael Michael Michael Michael Michael Michael Kaleb Kaleb boys boys boys boys OMG I can't choose between them Michael Michael Michael Michael Michael. Throw another few moments of angst in as needed.

That was the main character Emerson's mind in Hourglass from beginning to end. She spends so much time putting down other girls, including her own best friend ("If [good-looking best friend Lily] didn't have a wicked sense of humor and more loyalty than a Saint Bernard, I would probably hate her on principle alone."), drooling over boys, making sweeping generalizations about teenage girls, and overall being one of those characters you wish would think with their brains and not their sexual organs that I am embarrassed to be a fellow teenage female. She is one of the most unpleasant narrators I've come across in a while.

When I was ten, I was a moron. Why? I shoved a wrench into an electrical socket and got the piss shocked out of me. Multiple times, Emerson mentions the electricity coursing between her and Michael, such literal electricity that it blows light bulbs (and I swear I'm not kidding). It's supposed to be romantic, but all I could think of when she was describing it was my own shock from the electrical socket, which was not fun or orgasm-inducing. Like with all heroines that do the same thing because this is hardly an isolated incident, I wondered what she was thinking. Not good description right there.

In fact, description does not seem to be the book's strong point. With the way he had to arrange his face until he could settle on the right expression, I was under the impression our romantic lead Michael was really Mr. Potato Head. (Come on, you know Mr. Potato Head is sexy.) Emerson had a terrible tendency to overdescribe Michael. It's awesome Emerson wants to do him. Really. Heroines who aren't afraid to think of or have sex safely earn extra points with me. Too bad Emerson lost those extra points and then some by constantly going on about about how hot he is. I can only take so much.

And then when he fogged up a glass with his hands--think about that because something is wrong with that picture--I couldn't resist the joke that he was a hot potato. Yes, I am occasionally punny. It's genetic. Shut up.

This quote pretty much exemplifies my problem with Emerson and Michael as a couple and it can expand to describe my problem with many popular couples in YA now:

""I don't know what any of this means, but I know that when I thought you were gone, I couldn't breathe. It felt like half of me was missing." I kept babbling, my edit button not only broken, but completely obliterated. "I'm seventeen. Who feels like this at seventeen?"" (Hourglass, 90% on my Kindle)

Partway through, Michael tells Emerson about the Novikov Principle, an important element that keeps them from messing up the timeline too badly with their time traveling. Just one problem there. Michael only knows about the Novikov Principle because of Future Emerson, who appeared to him and told him. Future Emerson only knew because Past Emerson knew, who only knew because Michael told her. Where is the starting point of this important piece of information? I have seen many plot holes as a reader, but this is the first one I've ever seen that produces a literal hole if put to a diagram in the mind.

Maybe it would have been easier to get into the "OMG Kaleb likes me and I kind of like him, but I really like Michael, but Michael might not like me back and he might like this other girl and OMG" love triangle drama if I actually liked anyone involved. I hated Emerson, Michael, Kaleb (while the idea behind his character was a good one, the execution of it as that typical flirty friend/third part of love triangle was terrible)--overall, the novel needed stronger characters, especially stronger female characters.

Hourglass tried to up the drama at the end with two mentions of the "powers that be" and no explanation of what/who they are or why they are able to keep people like Emerson from using their powers. I would think that would come up earlier in the novel, but I'm getting off-task. The attempt to make it dramatic and keep readers around for the sequel Timepiece didn't work on a reader as reluctant as I was. If you're looking for a quick read that you don't plan to think much into, just something for your brain to munch on while on a plane or something, this seems like a good choice.

2 stars!

What am I reading next?: Die for Me by Amy Plum

Dark Goddess by Sarwat Chadda

Title: Dark Goddess
Author: Sarwat Chadda
Publisher: Disney/Hyperion
Release Date: January 25, 2011
Pages: 376 pages (hardback)
How I Got the Book: Bought it.

Still reeling from the death of her best friend, Kay, Billi is thrust into action when the Templars are called to investigate werewolf activity. And these werewolves are like nothing Billi has ever seen.

They call themselves the Polenitsy--Man-Killers. These ancient warrior women of Eastern Europe were supposedly wiped out centuries ago. But now they've come out of hiding and are on the hunt for a Spring Child--an oracle powerful enough to start a Fimbulwinter that will wipe out humankind for good.

To reclaim the Spring Child and save the world, Billi needs to earn the trust of Ivan Romanov, a young Russian soldier who is suspicious of people in general, and of Billi in particular.

Folklore and myth become darkly real in this stunning adventure, a story of the world running out of time. And of Billi SanGreal, the only one who can save it.

Review:

Three months after the events of Devil's Kiss, Billi has thrown herself into the life of a Knight Templar. Her latest mission involves the protection of a nine-year-old girl named Vasilisa, the target of a group of werewolves called the Polenitsy. She is an Oracle, an avatar, and what the Polenitsy call a Spring Child, a child to be sacrificed to their goddess Baba Yaga to keep her alive. The Knights Templar follow the wolves to Russia to save Vasilisa and must enlist the help of the Bogatyrs, and Billi grows closer to their future leader Ivan Romanov. As the time of sacrifice grows closer, can Billi save Vasilisa or will the child end up in trapped within Baba Yaga?

Dark Goddess starts out slowly, with the inciting event of Vasilisa's kidnapping happening around to 100 page mark, but once the novel gets going, it doesn't slow down until the last page is turned. Billi, still a mess after Kay's death, is a wonderfully complex character and her relationship with her dad is still one of my favorite qualities of the book, though it got more spotlight in the first book than in the second one. Concerning Kay, it's great she moved on from her "soul mate's" death; on the other hand, it felt a little quick for how much he was supposed to mean to her. But who am I to judge another on such a thing until I've been through it? For that, I let it slide.

You know, it's been about two years since I read Devil's Kiss. It didn't make much of an impression on me when I first read it, but Dark Goddess made me appreciate just how good it was in many regards and rethink my feelings on it, which is just what a good sequel should do. There were many bits I've forgotten over those two years, but Dark Goddess helpfully reminds me without infodumping or being overwhelming.

Though Baba Yaga is the uncontested antagonist and in the wrong for what she plans to do, the reader can understand why she feels that way. If you were connected to the earth itself and felt pain when humans dumped waste into the waterways and cut down trees until almost nothing was left, you might be angry at humans too and want to start over by wiping them all out with Fimbulwinter. The pain she has gone through over the centuries by human hands almost makes her pitiable. Almost.

My main issue with the book was its tendency to switch from past-tense narration to present-tense for flashbacks, dreams, even dramatic moments such as the killing blow during the climactic scene. I like consistency in my narrative and the switching between where the past is told in present and the "present" is told in past was confusing. I can't deny its intended stylistic effect, but it did not have the effect it was supposed to on me.

Readers hungry for a warrior heroine with depth and complexity need look no further than Billi SanGreal's series, starting with Devil's Kiss and continuing with Dark Goddess. Chadda stated on his blog back in August 2010 he had plans for a third Billi book, but there were no plans to publish it at that time and it all depended on sales of the series. I hope sales pick up because I would love to see more of Billi, especially after reading the little idea teasers the author offered. Please buy the books. Please? (Want details? Here you go.)

4 stars!

What am I reading next?: Anna Dressed in Blood by Kendare Blake

Unleashed by Nancy Holder and Debbie Viguié

Title: Unleashed
Author: Nancy Holder and Debbie Viguié
Publisher: Random House
Release Date: November 22, 2011
Pages: 382 pages (hardback)
How I Got the Book: Amazon Vine-provided ARC

Katelyn McBride's life changed in an instant when her mother died. Uprooted from her California home, Katelyn was shipped to the middle of nowhere, Arkansas, to her only living relative, her grandfather. And now she has to start over in Wolf Springs, a tiny village in the Ozark Mountains.

Like any small town, Wolf Springs has secrets. But the secrets hidden here are more sinister than Katelyn could ever imagine. It's a town with a history that reaches back centuries, spans continents, and conceals terrifying truths.

And Katelyn McBride is about to change everything.

Broken families, ageless grudges, forced alliances, and love that blooms in the darkest night--welcome to Wolf Springs.

Review:

After an earthquake kills her mother, Katelyn McBride is sent to live with her grandfather Ed all the way out in Wolf Springs, Arkansas. The transition from LA to small-town America is a rough one, but other matters come to occupy her time. Two girls die from wolf attacks, there's a program just outside town to help people "release their inner wolves," and her new friend Cordelia is hiding something about her family. Then there are the two boys in her life: Justin, Cordelia's cousin and a hottie whose gaze sets her on fire, and Trick, the sweetheart she rides to school with. Katelyn may turn out to be what the people of Wolf Springs have been waiting for: the end to an ancient war.

Katelyn is a petty, judgmental brat. Would you not dislike a heroine who seriously expects to go to school in a small town to see students wearing overalls and cutoff denim shorts, chewing on straw, and driving tractors? I hate, hate, hate characters who are mean about small towns or small town life. Then you add in her saying another girl must be putting out to have a certain guy as her boyfriend and you have a character I would happily push over a cliff. At the very least, Katelyn admits she is too stupid to live, but this does not make her any more tolerable or likable. If anything, it shows that someone thought through how ridiculous she is and still did not change it.

Some personal bias comes in concerning the budding relationship between Katelyn and Justin. It's a long story, but the short version is that a good friend of mine and her boyfriend have a toxic relationship that has hurt her badly and her boyfriend claims to be a werewolf.  My dislike of him translates into a dislike of werewolves, but I didn't realize this until after I requested a copy of Unleashed, so bully for it.

There are multiple similarities between my friend and Katelyn and then the boyfriend and Justin, the most important being that the guys both had girlfriends when they met the girls and cheated on their girlfriends with the girls. Infidelity is a huge pet peeve of mine. Supporting Justin and Katelyn is already impossible because of their heavy resemblance to my friend's toxic relationship, but if not for that, it would still be impossible for me to support them because Justin is cheating on his girlfriend for Katelyn. No magical connection makes cheating okay.

Other than that, characterization is thin. Justin is a disgusting creep who always manages to seem like he's turned on, Trick is... well,  Trick doesn't get much characterization, and there are multiple characters who only exist to be around for a scene or two, tell Katelyn this important plot point at this point in time, and then get put on a bus by divorce or fading into obscurity. With all these infodump characters lying around, you think one could explain how an old man living out in the middle of the woods would know a high school guy like Trick and convince him to drive his granddaughter an hour back and forth each day for school.

The title of the novel, series name, and cover make it obvious what kind of book this is. The painfully predictable events of the novel make it even more obvious. Yet Katelyn does not figure out what's going on at any point--someone else has to tell her, and that doesn't happen until page 278 out of 382 in my copy.

There was exactly one scene in this book I liked, and that would be the earthquake scene at the very beginning of the book. The Fenner family dynamic with a father suffering from dementia and a mentally disabled little brother captures some of my interest too, but some is also lost due to the cliche characterization of the rest of the family. Otherwise, there isn't anything I liked and the novel is full of holes, like how a room full of werewolves--at least ten, up to thirty--with enhanced senses of smell managed not to smell Katelyn when she was close enough to hear them.

Writing this negative review isn't exactly fun when there's so little praise I can offer, but it has to be done. I'm not going to lie about liking something when I didn't--I'm a truthful reviewer. I only ever get so negative when there is something to be negative about. My advice is to skip this one, but make your own decisions on it.

1 star!

What am I reading next?: Dark Goddess by Sarwat Chadda

Dear Bully by Megan Kelley Hall and Carrie Jones

Title: Dear Bully: Seventy Authors Tell Their Stories
Authors: Megan Kelley Hall and Carie Jones (anthology editors)
Publisher: HarperCollins/HarperTeen
Release Date: September 1, 2011
Pages: 352 pages (paperback)
How I Got the Book: Bought it.

You are not alone.

 

Discover how Lauren Kate transformed the feeling of that one mean girl getting under her skin into her first novel, how Lauren Oliver learned to celebrate ambiguity in her classmates and in herself, and how R.L. Stine turned being the “funny guy” into the best defense against the bullies in his class.

 

Today’s top authors for teens come together to share their stories about bullying—as silent observers on the sidelines of high school, as victims, and as perpetrators—in a collection at turns moving and self-effacing, but always deeply personal.

Review:

Bullying has always been a serious issue, but it has become even more serious in the past few years. The suicides of gay teens that led to the It Gets Better campaign gained an unearthly amount of publicity, and teen suicide cases gain attention anyway because of the tragedy. In the Dear Bully anthology, seventy authors--some readers will know, be familiar with the same with, or may not know at all--tell their own stories of being bullied.

As the book points out, seventy-five percent of students are subjected to various types of harassment by others, be physical, emotional, online, or one of many other ways. Each story has great emotional resonance, especially to someone like me--I've been  bully, been bullied, and stood by while someone else was bullied. No one story is greater than the others, but Michelle Zink's story of frenemies and Sophie Jordan's "The Eulogy of Ivy O'Conner" are very familiar to me and have stuck with me. It's been only a few days since I finished the novel, but I'm sure they will continue to stick with me, as will many others.

My main problem with the book is that it is perhaps too ambitious. The message that bullying needs to stop rings true, but it loses its potency because of how many stories there are in the book that hammer this message in. Methinks seventy was a few too many stories for one book. There was one particular story in the anthology that bothered me for reasons it shouldn't have. One story in particular felt almost... fake, and I feel terrible for admitting I feel that way about it.

Dear Bully was a truly affecting anthology. The pages of resources in the back point the curious to anti-bullying programs, programs such as the Trevor Project and Reach Out, and numbers teens can call if they are feeling suicidal or are overwhelmed with problems. The novel itself is a great resource for anyone wondering just how badly bullying can affect a person, and I'm certain this novel will help someone out there.

4 stars!

What am I reading next?: Seraphina by Rachel Hartman

Last Breath by Rachel Caine

Title: Last Breath
Author: Rachel Caine
Publisher: Penguin/NAL
Release Date: November 1, 2011
Pages: 335 pages (hardback)
How I Got the Book: Bought it.

With her boss preoccupied researching the Founder Houses in Morganville, student Claire Danvers is left to her own devices when she learns that three vampires have vanished without a trace.

She soon discovers that the last person seen with one of the missing vampires is someone who has just moved to town: a mysterious individual named Magnus. After an uneasy encounter with Morganville's newest resident, Claire is certain that magnus isn't merely human. But is Magnus a vampire--or something else entirely?

One thing is clear: Magnus is to blame for the disapperances. And if vampires are turning into victims, what chance does a human like Claire have?

Review:

Michael and Eve are ready to ring the wedding bells, but the rest of the town isn't so ready for their marriage. Neither side is willing to let the two races mix and considering previous precedent of what happens when humans and vampires marry, their worries are almost understandable. As the group fights for the couple's right to marry, Claire is seeing a man no one else can see, a nondescript man that...turns to water? Who is he? What is he? Whoever or whatever he is, his presence has the vampires ready to run away, but the capture of people near and dear to them sends them into the monster's lair.

See how different my summary is from the back cover summary? That's because the "official" summary lied.

Last Breath was a fast-paced thrill ride that could keep a reader glued to their seat. It can be occasionally interrupted by shifts in the point-of-view (there are five narrators this time around, giving the reader a better look at characters they have already come to know well), but it. is generally a straightforward novel. The numerous tension-filled scenes and fights are wonderfully written and fly by in a flash. Funny, shocking (and it really is this time--can you say another main character death?), complex--it's everything a Morganville book should be and just a little bit more.

And there went all the praise. Crit time!

It appears the reader is supposed to be on Claire and co.'s side about the marriage, but I found myself on Amelie's side. It isn't fair for them to be denied their right to marry, but Amelie has never pretended to be fair. She wants to keep Morganville peaceful and letting the two get married would cost the town what small and fragile peace there is. Solid rationale by a person whose decision could either make a small group unhappy or send the entire town into chaos.

The dual plots of Magnus's presence in Morganville connected to the vampires going missing and Michael and Eve's struggle to get married are unevenly balanced--the marriage plot conquers the entire first half of the book with minute appearances from the Magnus plot, then the Magnus plot takes full control and the marriage plot is (understandably) completely forgotten--and I still have questions about it that were never answered. Why could Claire see Magnus when she wasn't supposed to?

Somehow, I have only just now managed to notice the lows of the descriptions. Between all the not-facey faces and the eyes-but-not-eyes, I wanted a decision to be made already about what they were or were not. Then there was a gem in Eve being described as poisonously fierce (that is going to be a memorable example of bad description) and after so many descriptions of Eve's Goth makeup and Goth clothes and totally-not-described-but-totally-there Goth underwear, I wanted the book to stop. She's beautiful. She's Goth. Point made. Describing them so much so many times is a waste of precious words.

And that was the end of our objective segment (and yes, that was my twisted version of objective). Now is where I stop considering the true quality of the book and get down to how I felt about it in my heart of hearts and yadda yadda yadda.

See, I have a longstanding tradition concerning the Morganville Vampires series: I read each book in one sitting during one day. They were just that good (though Bite Club was another story, but that's neither here nor there) and kept me glued to the pages so I could find out where Claire, Shane, Eve, and Michael were going and what they would do.

This time? It took me two days, and the tradition was not broken out of necessity. No, it was broken because I was so disinterested in the book that I procrastinated reading it, mostly by working on my NaNoWriMo novel. A terrible sign indeed. (AND I HAVE SAID NOTHING OF MY DARLING MYRNIN WHEN MY LAST TWO REVIEWS OF MORGANVILLE BOOKS BABBLED ABOUT HIM. Could there be a worse sign?)

Does the book have problems? Absolutely. Is the book terrible? No. Despite my indifference to it this time around, I do recognize the book's quality (why else would it be getting four stars instead of the three I think it deserves?). It is a marked improvement on Bite Club, but it appears I've checked out on the series at this point. Not even a huge cliffhanger promising that the next book Black Dawn will be a dramatic one full of good fight scenes interests me now.

4 stars!

What am I reading next?: Unleashed by Nancy Holder and Debbie Viguie